Ad And Hands
cles for the same reason. Soft flesh stands out in little lumps and begins to drape somewhat toward the chin. We can be kind about it and not put too much emphasis on the aging process, but to ignore it entirely would be to lose both character and likeness. There is l>cauty in maturity and even in old age. By then character shines through, and there is no graciousncss and charm greater than that of an elderly woman of character, who has put away most of the foibles and frivolities of youth. Be kind in your drawings, but do not fabricate. Insincere work does personal harm to your reputation, and that is more important to you than any single drawing of any face in the world. Study the aging process, be thoroughly familiar with what happens, and then treat it tenderly.
EYiS
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